Premiere Pro
開啟應用程式
Adobe Premiere Pro User Guide
Beta releases
Beta Program Overview
Premiere Pro Beta Home
Getting started
Get started with Adobe Premiere Pro
What's new in Premiere Pro
Best practices for updating Premiere Pro
Keyboard shortcuts in Premiere Pro
Accessibility in Premiere Pro
Frequently asked questions
Release notes
Hardware and operating system requirements
Hardware recommendations
System requirements
GPU and GPU Driver requirements
GPU Accelerated Rendering & Hardware Encoding/Decoding
How to install drivers from NVIDIA
Creating projects
Start a new project
Open projects
Move and delete projects
Work with multiple open projects
Work with Project Shortcuts
Backward compatibility of Premiere Pro projects
Open and edit Premiere Rush projects in Premiere Pro
Best Practices: Create your own project templates
Workspaces and workflows
Workspaces
Import and export FAQs
Working with Panels
Windows touch and gesture controls
Use Premiere Pro in a dual-monitor setup
Frame.io
Install and activate Frame.io
Use Frame.io with Premiere Pro and After Effects
Integrate Adobe Workfront and Frame.io
Invite collaborators to co-edit a project
Frequently asked questions
Import media
Importing
Transfer files
Importing still images
Importing digital audio
Importing from Avid or Final Cut
Importing AAF project files from Avid Media Composer
Importing XML project files from Final Cut Pro 7 and Final Cut Pro X
Searching for imported media
Media intelligence and Search panel
Frequently asked questions
File formats
Supported file formats
Support for Blackmagic RAW
Working with timecode
Editing
Edit video
Sequences
Create and change sequences
Set In and Out points in the Source Monitor
Add clips to sequences
Rearrange and move clips
Find, select, and group clips in a sequence
Remove clips from a sequence
Change sequence settings
Edit from sequences loaded into the Source Monitor
Simplify sequences
Rendering and previewing sequences
Working with markers
Add markers to clips
Create markers in Effect Controls panel
Set default marker colors
Find, move, and delete markers
Show or hide markers by color
View marker comments
Copy and paste sequence markers
Sharing markers with After Effects
Source patching and track targeting
Scene edit detection
Generative Extend
Overview
Frequently asked questions
Known issues
Cut and trim clips
Split or cut clips
Trim clips
Edit in Trim mode
Perform J cuts and L cuts
Create and play clips
Adjust Trimming and Playback preferences
Video
Synchronizing audio and video with Merge Clips
Render and replace media
Undo, history, and events
Freeze and hold frames
Working with aspect ratios
Audio
Overview of audio in Premiere Pro
Edit audio clips in the Source Monitor
Audio Track Mixer
Adjusting volume levels
Edit, repair, and improve audio using Essential Sound panel
Enhance Speech
Enhance Speech FAQs
Audio Category Tagging
Automatically duck audio
Remix audio
Monitor clip volume and pan using Audio Clip Mixer
Audio balancing and panning
Advanced Audio - Submixes, downmixing, and routing
Audio effects and transitions
Working with audio transitions
Apply effects to audio
Measure audio using the Loudness Radar effect
Recording audio mixes
Editing audio in the timeline
Audio channel mapping in Premiere Pro
Use Adobe Stock audio in Premiere Pro
Text-Based Editing
Text-Based Editing
Text-Based Editing FAQs
Advanced editing
Multi-camera editing workflow
Editing VR
Best Practices
Best Practices: Mix audio faster
Best Practices: Editing efficiently
Editing workflows for feature films
Video Effects and Transitions
Overview of video effects and transitions
Effects
Types of effects in Premiere Pro
Modern transitions, effects, and animations in Premiere Pro
Apply and remove effects
Use FX badges
Effect presets
Metadata effect in Premiere Pro
Automatically reframe video for different social media channels
Color correction effects
Effects Manager
Change duration and speed of clips
Adjustment Layers
Stabilize footage
Transitions
Applying transitions in Premiere Pro
Modifying and customizing transitions
Morph Cut
Titles, Graphics, and Captions
Properties panel
About Properties panel
Edit text
Edit shapes
Change the appearance of text and shapes
Apply gradients
Linked and Track Styles
Working with style browser
Draw with the Pen tool
Align objects
Add Responsive Design features to your graphics
Edit audio
Edit video
Mask with shape
Create reveal animations using masking techniques
Create, apply, and redefine text styles
Add Responsive Design features to your graphics
Captions
Speech to Text
Translate captions
Download language packs for transcription
Working with captions
Check spelling and Find and Replace
Export text
Speech to Text FAQs
Translate captions FAQs
Motion Graphics Templates
Install and use Motion Graphics templates
Replace images or videos in Motion Graphics templates
Use data-driven Motion Graphics templates
Best Practices: Faster graphics workflows
Retiring the Legacy Titler FAQs
Upgrade Legacy titles to Source Graphics
Fonts and emojis
Color fonts
Emojis
Animation and Keyframing
Adding, navigating, and setting keyframes
Animating effects
Use Motion effect to edit and animate clips
Optimize keyframe automation
Moving and copying keyframes
Viewing and adjusting effects and keyframes
Compositing
Compositing, alpha channels, and adjusting clip opacity
Masking and tracking
Blending modes
Color Correction and Grading
Overview: Color workflows in Premiere Pro
Color Settings
Auto Color
Get creative with color using Lumetri looks
Adjust color using RGB and Hue Saturation Curves
Correct and match colors between shots
Using HSL Secondary controls in the Lumetri Color panel
Create vignettes
Looks and LUTs
Lumetri scopes
Timeline tone mapping
HDR for broadcasters
Enable DirectX HDR support
Color management
About color management
How color management works
Auto Detection of Log Camera Formats and Raw Media
Disable color management
Manage source media colors in the Program Monitor
Configure clips for color management using Clip Modify
Configure sequence color management
Customize color presets for new or existing sequences
Configure a sequence’s output color space
Color management options
Color management and Lumetri Color
Premiere Pro and After Effects color management compatibility
Working with color managed iPhone media
Frequently asked questions
Color management and new version compatibility FAQ
Exporting media
Export video
Export Preset Manager
Workflow and overview for exporting
Quick export
Exporting for the Web and mobile devices
Export a still image
Content Credentials in Premiere Pro and Adobe Media Encoder
Exporting projects for other applications
Exporting OMF files for Pro Tools
Export to Panasonic P2 format
Create and export HDR videos for YouTube on Macintosh
Export settings
Export settings reference
Basic Video Settings
Encoding Settings
Best Practices: Export faster
Collaborative editing
Collaboration in Premiere Pro
Get started with collaborative video editing
Create Team Projects
Add and manage media in Team Projects
Invite and manage collaborators
Share and manage changes with collaborators
View auto saves and versions of Team Projects
Manage Team Projects
Linked Team Projects
Frequently asked questions
Long form and Episodic workflows
Long Form and Episodic Workflow Guide
Using Productions
How clips work across projects in a Production
Best Practices: Working with Productions
Working with other Adobe applications
After Effects and Photoshop
Dynamic Link
Audition
Prelude
Organizing and Managing Assets
Working in the Project panel
Organize assets in the Project panel
Playing assets
Search assets
Creative Cloud Libraries
Sync Settings in Premiere Pro
Consolidate, transcode, and archive projects
Managing metadata
Content Credentials in Premiere Pro and Adobe Media Encoder
Best Practices
Best Practices: Learning from broadcast production
Best Practices: Working with native formats
Improving Performance and Troubleshooting
Set preferences
Reset and restore preferences
Recovery Mode
Working with Proxies
Proxy overview
Ingest and Proxy Workflow
Check if your system is compatible with Premiere Pro
Premiere Pro for Apple silicon
Eliminate flicker
Interlacing and field order
Smart rendering
Control surface support
Best Practices: Working with native formats
Removal of software rendering options
Knowledge Base
Known issues
Fixed issues
Fix Premiere Pro crash issues
Why do my Premiere Pro exports look washed out?
Unable to migrate settings after updating Premiere Pro
Green and pink video in Premiere Pro or Premiere Rush
How do I manage the Media Cache in Premiere Pro?
Fix errors when rendering or exporting
Troubleshoot issues related to playback and performance in Premiere Pro
Extensions and plugins
Installing plugins and extensions in Premiere Pro
Latest plugins from third-party developers
Video and audio streaming
Secure Reliable Transport (SRT)
Monitoring Assets and Offline Media
Monitoring assets
Using the Source Monitor and Program Monitor
Using the Reference Monitor
Offline media
Working with offline clips
Creating clips for offline editing
Relinking offline media
Learn about the latest video, audio, and still-image formats that are supported by Adobe Premiere Pro.
Some filename extensions—such as MOV, AVI, and MXF denote container file formats rather than denoting specific audio, video, or image data formats. Container files can contain data encoded using various compression and encoding schemes. Premiere Pro can import these container files, but the ability to import the data that they contain depends on the codecs (specifically, decoders) installed.
Supported sequence, still image, and movie sizes
Sequence size
Video and still-image files you want to import must not be more than the maximum dimensions allowed. The maximum sequence frame size in pixels is 10,240×8,192 (width x height). If you attempt to set one of the Frame Size dimensions higher than this limit in the Sequence Settings dialog box, Premiere Pro resets the value to the maximum.
Still image and movie size
The maximum frame size to import still images and movies is 256 megapixels, with a maximum dimension of 32,768 pixels in either direction. For example, an image that is 16,000×16,000 pixels is acceptable, as is one that is 32,000×8,000, but an image that is 35,000×10,000 pixels cannot be used.
Supported native video and audio formats for import
Adobe Premiere Pro supports several audio and video formats, making your post-production workflows compatible with the latest broadcast formats.
Format
Details
3GP, 3G2 (.3gp)
Multimedia container format
AAC
Advanced Audio Coding
AIFF, AIF
Audio Interchange File Format
Apple ProRes, ProRes HDR, ProRes RAW, ProRes log video
Apple video compression format.
Apple ProRes is a high-quality codec and is widely used as an acquisition, production, and delivery format. Adobe has collaborated with Apple to provide editors, artists, and post-production professionals with comprehensive ProRes workflows for Premiere Pro and After Effects. Support for ProRes on macOS and Windows streamlines video production and simplifies final output, including server-based remote rendering with Adobe Media Encoder.
ASF
NetShow (Windows only)
ASND
Adobe Sound Document
AVC-Intra
Panasonic codec
AVI (.avi)
DV-AVI, Microsoft AVI Type 1 and Type 2
BWF
Broadcast WAVE format
CHPROJ
Character Animator project file
CRM
Canon Cinema RAW Light (.crm) files created by cameras such as the Canon EOS C200
DNxHD
Supported in native MXF and QuickTime wrappers
DNxHR
DNxHR LB, DNxHR SQ, DNxHR TR, DNxHR HQ, and DNxHR HQX
DV
Raw DV stream, a QuickTime format
GIF
Animated GIF
H.264 AVC
Various media that use H.264 encoding
HEIF
High Efficiency Image Format (HEIF) capture format supported on both Mac OS 10.13 or higher, and Windows 10 (version 1809 or higher). On Windows, both the HEIF image extension and the HEVC Video Extension need to be installed. For information on HEIF image and HEVC Video extensions, see HEIF Image Extensions and HEVC Video Extensions.
HEVC (H.265)
H.265 media with resolutions up to 8192*4320
M1V
MPEG-1 Video File
M2T
Sony HDV
M2TS
Blu-ray BDAV MPEG-2 Transport Stream, AVCHD
M2V
DVD-compliant MPEG-2
M4A
MPEG-4 audio
M4V
MPEG-4 video file
MOV
QuickTime format
MP3
MP3 audio
MP4
QuickTime Movie, XDCAM EX
MPEG, MPE, MPG
MPEG-1, MPEG-2
MTS
AVCHD
MXF
Media eXchange Format. MXF is a container format that supports:
ARRIRAW
P2 Movie: Panasonic OP1b variant of MXF video in AVC-Intra LT and AVC-LongG, Panasonic Op-Atom variant of MXF video in DV, DVCPRO, DVCPRO 50, DVCPRO HD, AVC-Intra
X-OCN footage produced by cameras such as the Sony F5, F55, or Sony VENICE with the AXS-R7 add-on
Sony XDCAM HD 18/25/35 (4:2:0)
Sony XDCAM HD 50 (4:2:2)
AVC-LongGOP
XAVC Intra
XAVC LongGOP
XAVC QFHD Long GOP 4:2:2
JPEG2000
IMX 30/40/50
XDCAM EX
Sony VENICE 2 Ver. 2
AVC LongGOP
HEVC LongGOP
HEVC Intra
Native MJPEGs
1DC
OpenEXR
Files in .EXR, .MXR, and .SXR formats
R3D
RED R3D RAW file
Rush
Existing projects from Premiere Rush
VOB
Container format in DVD media
WAV
Windows Waveform
WMV
Windows Media, Windows only
註解：
Not all QuickTime codecs are supported by default. Some codecs require third-party components.
Supported native camera formats
Premiere Pro lets you work with a wide range of native media formats from the latest DSLR cameras without transcoding or file rewrapping.
The media formats listed here are supported for directly importing and editing with Premiere Pro. The required codecs are built in to Premiere Pro, and supported on both Mac OS and Windows systems unless stated otherwise.
Premiere Pro provides built-in support for the ARRI AMIRA camera, with appropriate color LUTs applied as master clips on import.
Premiere Pro supports ARRIRAW and ProRes files from the ARRI ALEXA 35 camera.
Premiere Pro provides the ability to import ALEXA LF (Large Footage) file format.
You can work natively with Canon XF and Canon RAW footage, including footage from Canon Cinema EOS C300, C400, C500, EOS R5, EOS-1D X Mark III, EOS R5 Mark II, and EOS R1 cameras.
Premiere Pro lets you import and edit QuickTime formats natively, including Apple ProRes and MOV files that Canon 5D and 7D cameras capture. You can clip metadata without any transcoding, rewrapping, or logging and transferring required.
Premiere Pro lets you import and edit uncompressed CinemaDNG media from the following cameras:
Blackmagic Cinema Camera
Blackmagic Pocket Cinema Camera
Convergent Design Odyssey7Q
When working with CinemaDNG media, you can access the Source Settings and edit the metadata parameters. CinemaDNG can be debayered on a supported GPU for extreme playback performance.
You can native import and edit media from the following cameras/camera codec formats:
Panasonic AVC Ultra
Panasonic AVCi 200
Panasonic AVC Ultra Long GOP (Group of Pictures)
Panasonic P2 cameras and across multiple P2 cards
You can also view Panasonic Camera acquisition metadata in Premiere Pro's Metadata panel. This provides an easier starting point for grading.
The following metadata fields are now available for supported Panasonic cameras:
Camera Manufacturer
Camera Model
Video Codec
Video Bit Rate
ISO Sensitivity
White Balance Color Temperature
Capture Gamma
Capture Gamut
You can natively import and edit Phantom Cine media shot on Vision Research Phantom cameras.
Premiere Pro supports working natively with RED Digital Cinema (R3D) footage from the following cameras & codec formats:
Color Science like REDcolor2, REDgamma2, and REDlogFilm
RED ONE
RED EPIC
RED Scarlet-X cameras with support for RED Rocket
Red Dragon including RED Dragon 6K
RED Komodo
RED V-Raptor XL camera
RED V-RAPTOR [X]
註解：
RED format clips use the GPU (OpenCL and CUDA) for debayering for an improved and faster playback performance.
You can import and edit media from the following cameras directly without rewrapping or transcoding:
Sony XDCAM
Sony XDCAM 50
Sony XAVC
Sony XAVC LongGOP (Group of Pictures)
Sony XAVC-S
Sony A7S Mark III
Sony SStP
Sony RAW (F65, F55, F5, FS700 cameras)
Sony VENICE V3
Sony VENICE V4
Sony VENICE 2 Ver. 2
Sony BURANO
X-OCN (LT)
XAVC H Intra HQ
XAVC H Intra SQ
XAVC H Long
XAVC Intra
XAVC Long
You can browse the imported clips using the Media Browser and organize them using camera metadata.
To learn more about working directly with native camera formats, see this video tutorial.
Supported still‑image and still-image sequence file formats
註解：
Premiere Pro supports 8bpc (4 bytes per pixel) and 16bpc (8 bytes per pixel) still-image files.
Format
Details
AI, EPS
Adobe Illustrator
BMP, DIB, RLE
Bitmap
DPX
Cineon/DPX
EPS
Adobe Illustrator
GIF
Graphics Interchange Format
ICO
Icon File (Windows only)
JPEG
JPE, JPG, JFIF
PNG
Portable Network Graphics
PSD
Photoshop
PTL, PRTL
Adobe Premiere title
TGA, ICB, VDA, VST
Targa
TIFF
Tagged Interchange Format
Supported closed captioning and subtitle file formats
Format
Details
DFXP
Distribution Format Exchange Profile
MCC
MacCaption VANC
SCC
Scenarist Closed Caption File
SRT
Subrip Subtitle format
STL
EBU N19 Subtitle File
XML
W3C/SMPTE/EBU Timed Text File
Supported video project file formats
Format
Details
AAF
Advanced Authoring Format
AEP, AEPX
After Effects project
CHPROJ
Character Animator Project
CSV, PBL, TXT, TAB
Batch lists
EDL
CMX3600 EDLs
PREL
Adobe Premiere Elements project (Windows only)
PRPROJ
Premiere Pro project
XML
FCP XML
Support for growing files
Premiere Pro supports growing files for those needing this workflow. Growing files are files that are still being written to disk and will grow in duration after they are ingested. These files automatically refresh their duration based on a preference you can set in Premiere Pro.
Supported codecs for growing files within an MXF wrapper
AVC-Intra Class 50/100
IMX 30/40/50
XDCAM HD 50/35/25/18 RDD9 (The low latency version of XDCAM HD is not supported)
OP1B files
Support for growing files to automatically refresh, and how often they must refresh, is available in Media Preferences. The updated duration can be viewed in the Project panel and the Source Monitor. The refreshed duration is also available for editing in the Timeline. See Media Preferences for more details.
Growing files can only be imported if Premiere Pro can read the volume where they are stored. Premiere Pro can read footage from an unc path("//somewhere/something"), but the drive must be mapped("H:\somewhere\something"). The file can then be imported using the File > Import command. You can then edit with these clips as you would normally edit any other clip.
Support for Variable Frame Rate files
Variable Frame Rate (VFR) is a video compression term that refers to the format of videos where the frame rate changes actively during video playback. Most videos created using mobile devices (such as iOS and Android), and e-learning applications (such as ScreenFlow, or Twitch) are of VFR format.
Detect VFR footage in Premiere Pro
Select the footage, and click File > Get Properties for > Selection. Premiere Pro indicates if it detects VFR footage.
Alternatively, you can right click the clip in the Timeline panel and select Properties.
Properties panel in Premiere Pro indicating VFR footage
Properties panel in Premiere Pro indicating VFR footage
Preserve audio sync for Variable Frame Rate footage
You can incorporate variable frame footage from devices such as mobile phones and the DJI Phantom without having to adjust the audio-video sync manually.
Select a VFR clip in the Project panel or the Source Monitor, and click Master Clip Effect in the Effect Controls panel.
Toggle between the following options:
Audio-video sync options for VFR footage
Audio-video sync options for VFR footage
Preserve Audio Sync
This option decodes the source so that the audio and video are in sync. Preserve Audio Sync works by adding or dropping frames, resulting in choppier-looking videos. Preserve Audio Sync is the default for all VFR clips that have audio.
Smooth Video Motion
This option decodes all the available frames in the source and does not make any effort to maintain audio-video sync. It results in smoother motion in the video. You can choose this setting if you are doing motion graphics work and care more about getting all the available video frames. Smooth Video Motion is the default when Premiere Pro does not detect audio in VFR clips.
Limitations with Variable Frame Rate support
If you plan to use proxy, consolidate, or transcode workflows, it is better to transcode VFR material to a constant frame rate before editing.
If you have manually synced VFR footage in previous versions of Premiere Pro, resync that footage when opening the project in Premiere Pro 12.0.1 or later versions.